Name
Notes
2. Lift a dim event photo without rewriting the room
Receptions and meetups are where my exposure goes to die. The people are right; the file is brown. I use a repair prompt, not a venue change.Keep the people, their clothes, and the room. Brighten the exposure, sharpen faces, and restore natural color. Do not add guests, and do not change the banners on the wall.
If the photo is also torn or heavily scratched, I say that separately. Sharpening a scratch is not a repair. I only ask for a new room when the original background would get someone in trouble, and then I lock the faces twice as hard.
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7 Ways I Use an AI Image Editor in an Ordinary Work Week
I do not run a studio, and I do not "explore generative art" on weeknights for fun. I have a job that produces leftover pictures: phone packshots, a dim photo from an event, a selfie that has to stand in for a bio, a screenshot that needs a wider card, a sketch that has to be shown to someone who does not want to look at a sketch. This is a list of seven jobs I now finish in an AI image editor with a still and a short instruction, instead of booking a reshoot or opening a file I will never complete.
Each item is a constraint I actually type, not a feature tour. If a result looks expensive and the subject has changed, I throw it away and do the job again, or I leave the original alone.
A short rule I apply to all seven
I write the lock before the change, I do one change per generate, and I compare the output to the source at the same size. The editor is prompt-based, it accepts everyday still formats, and it can hold a character or a product across a scene when I attach a clean reference. That is enough for a work week. The point of the list is not to make more pictures. It is to finish the seven I was already going to need, without pretending I had a studio day I did not have.
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